Packing, finding storage space, leaving my studio. It's been a fantastic autumn, and I'm already looking forward to coming back next year. The next months I'll be busy preparing for my show with Aspex. I'm excited!
Wednesday 16 December 2009
leaving Portsmouth....
Packing, finding storage space, leaving my studio. It's been a fantastic autumn, and I'm already looking forward to coming back next year. The next months I'll be busy preparing for my show with Aspex. I'm excited!
Monday 14 December 2009
connecting spaces
My work looks so different according to whether day or night - therefore here some photos from diferent times of the day and evening.
Projection from my studio onto the wall next door, visible from the street as well as from inside the building- greeting the visitors as they come along..
The first impression when coming up the stairs; I opened the little door to the studio. Some members from Art Space, who have known the building for several years, had never noticed this door before - the space looks different seen from different positions.
Projection from my studio onto the wall next door, visible from the street as well as from inside the building- greeting the visitors as they come along..
The first impression when coming up the stairs; I opened the little door to the studio. Some members from Art Space, who have known the building for several years, had never noticed this door before - the space looks different seen from different positions.
Thursday 10 December 2009
Monday 7 December 2009
Ebbe - Tide
Here the first photos from the show, and there are more to come.
My models - like threedimensional sketches, and their shadows.
The structure inside my studio, and to the left the reflection of the projection on the wall outside (the window functions as a mirror, very convenient).
Losing a sense of depth, lines connecting and intersecting, in the pile of windows as well as in the wooden structure.
The photographic recordings after my time here, from all the 'white areas', the blank spaces on the map, that I went to over the last weeks. 36 images showing the coastline, or the borders making it impossible to get to the water.
To the left my latex piece from underneath Southsea pier. It was quite popular on friday night, people sniffing and touching it; it's very soft and got sand enclosed in it, and traces of rust as well. Had a difficult time getting the light right, some bulbs make it appear almost pink, in daylight it looks yellowish-white, and that is how I prefer it.
My models - like threedimensional sketches, and their shadows.
The structure inside my studio, and to the left the reflection of the projection on the wall outside (the window functions as a mirror, very convenient).Losing a sense of depth, lines connecting and intersecting, in the pile of windows as well as in the wooden structure.
The photographic recordings after my time here, from all the 'white areas', the blank spaces on the map, that I went to over the last weeks. 36 images showing the coastline, or the borders making it impossible to get to the water.
To the left my latex piece from underneath Southsea pier. It was quite popular on friday night, people sniffing and touching it; it's very soft and got sand enclosed in it, and traces of rust as well. Had a difficult time getting the light right, some bulbs make it appear almost pink, in daylight it looks yellowish-white, and that is how I prefer it.
Thursday 3 December 2009
line drawings
Couldn't resist having one 4x2 poking through the panel towards the roof. The space behind is massive; this is after all a former church, and the height to the ceiling is a couple of metres. Some of my wood will be painted - in a light blue and rusty orange and dark green, - how bold is that!!
Tuesday 1 December 2009
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